Kids and Inactivity

Last week I was visiting with a friend who is a child Psychiatrist. She was lamenting that instead of actually doing the work required of being a parent, the parents just wanted her to prescribe medication to make them zombies. I explained my take on that issue, and she agreed with me wholeheartedly.

My theory is the main reason why so many kids are diagnosed. Still, more importantly, those misdiagnosed with ADD and ADHD is that they simply are not getting enough physical activity every day. I’m not a parent, but I spend a lot of time with kids, and most of my friends have kids, so I’ve paid attention. I’ve noticed that the main thing that has changed since we were kids is the physical activity levels.

When we were growing up, we didn’t have the electronics that we have today, but we did have TV, so that really isn’t as much the issue as many folks want to believe. What was different was the amount of physical activity we got on a daily basis.

If you think about a regular school day for us, “back in the day,” we played on the playground before school and again at recess. We also had mandatory PE, no excuses. On weekends we played outside with friends, and activities ranged from games of tag and red rover to basketball games of HORSE to riding our bikes around the neighborhood and ending up at the swimming pool playing Marco Polo until we were so pruney that we looked like our grandparents. We burned off the energy our little bodies were creating.

It seems logical to make this correlation because today, it’s pretty evident that we have a bunch of kids sitting for too long, forced to be too still, and vibrating with all that pent-up energy. The result? Kids are on prescription medication designed to dull them out so adults won’t have to deal with them or work too hard.

Add all the sugar kids get today, and it’s no wonder we’ve got a bunch of amped-up kids who can’t sit still. You don’t need to be a doctor to figure this stuff out.

All the physical activities, the games, and the sports, also kept our minds busy, and we learned all sorts of life skills. For example, we learned problem-solving, relationship management, kindness, loyalty, resilience, consequences, engineering, physics, and time management (remember your mom telling you to be inside before the sun went down?). We are physical beings. Doesn’t it make sense that we need to be physically active? I would even go so far as to ask, isn’t it a form of abuse that we deprive kids of enough physical activity?

Let’s get our kids moving again instead of drugging them up!

Writers Strike - Why You Should Care

I have been bombarded with questions regarding the WGA Writers Strike. So much so that I feel compelled to write this post and offer my explanation/opinion.

In the glitzy world of Hollywood, where creativity and storytelling meet the silver screen, a storm is brewing that threatens to disrupt the very heart of the entertainment industry: the writers' strike. This battle between the Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPATP) is not just an internal dispute. It has far-reaching implications for everyone involved, from actors to production workers, and, most importantly, for the audience. Let’s delve into the contract items in dispute and explore the contentious claim that AMPATP and Streaming Services are monopolistic entities, potentially bulldozing not just writers and actors but the entire industry.

The Contract Items in Dispute

At the core of the writers' strike are several contract items that have become sticking points in negotiations between the Writers Guild and the AMPATP. These items include:

  1. Residuals for Streaming Content: With the rise of streaming platforms, the way content is consumed has changed drastically. However, the compensation structure for writers hasn't kept pace. The writers are demanding fair residuals for their work on streaming platforms, similar to what they receive for traditional broadcast and cable television.

  2. Healthcare and Pension: Writers are also concerned about their long-term financial stability. They're advocating for improvements in their healthcare and pension plans to ensure their well-being beyond their active working years.

  3. Exclusivity and Options: The writers are calling for more reasonable exclusivity and options clauses in their contracts, which would allow them greater flexibility to work on other projects while maintaining job security.

  4. Inclusion and Representation: In a bid for increased diversity and representation, writers are pushing for industry-wide standards that promote equal opportunities for underrepresented voices in both writing rooms and creative decision-making processes.

  5. Late Payments and Credits: Writers often face delays in receiving their payments and proper credits for their work. They're striving for better mechanisms to ensure timely compensation and accurate recognition.

Monopoly Allegations: AMPATP and Streaming Services

Beyond the immediate contract disputes, there's a growing concern that AMPATP and the dominance of streaming services are edging towards a monopolistic grip on the entertainment industry. This goes beyond just the creative aspects of writing and acting, affecting production workers and other staff as well.

Streaming platforms have disrupted the traditional model of content consumption, offering viewers unprecedented convenience and variety. However, this disruption has come at a cost. As streaming services consolidate and wield more power, they can exert significant influence over content creators and determine the financial terms of engagement. This leverage, some argue, can lead to a concentration of power that marginalizes the very artists and workers who bring stories to life.

The Domino Effect on the Industry

When AMPATP and Streaming Services gain unchecked control, the entire entertainment industry feels the repercussions. Writers, actors, production workers, and other staff are often at the mercy of these powerful entities. The results can range from inadequate compensation and unstable work conditions to stifled creativity due to restricted artistic freedom.

While some may argue that the rise of streaming services has democratized content creation, allowing for more diverse voices to be heard, it's essential to strike a balance between accessibility and fair treatment of creators. The dominance of a few players in the market can lead to homogenized content, limiting the scope of storytelling and creative expression.

Why You Should Care

The ongoing writers' strike isn't just a conflict between two parties within the entertainment industry. It's a microcosm of larger issues that affect the entire ecosystem. As consumers of entertainment, we should care about the voices that bring our favorite stories to life. Supporting fair compensation, representation, and creative freedom benefits not just the creators but also enriches the content we love.

By understanding the contract items in dispute and the potential monopolistic control exerted by AMPATP and streaming services, we can appreciate the nuances of this complex issue. The entertainment industry thrives on diversity, creativity, and collaboration, and it's in everyone's interest to ensure that these values are upheld and protected.

Summing It Up

The writers' strike is a call to action for a more equitable and sustainable entertainment industry. It's an opportunity for us to recognize that the battle for fair treatment and creative freedom extends beyond the writing rooms and studios, touching the lives of everyone involved in bringing stories to life.

What Is Your Story?

This is the question we are asked by everyone we meet, and it’s the first question we ask our customers when they retain our services. As women, we have a tendency to shun talking about ourselves. We feel more comfortable speaking in terms of our team, being collaborative, and sharing the glory. Conversely, usually, the only time we take individual credit is when something fails, a practice that needs to STOP, but that’s a different post. 

This may stem from years of being bombarded by strong egocentric male voices to the point that we don’t want to be perceived that way or from the fact that we really like the maneuverability of being in the shadows. However, in order for your business to thrive, you need to embrace the words “I,” “Me,” and “My” and be proud of your story because you deserve to be in the spotlight! Look at you. You are brave and a leader, and your story needs to be out there as a beacon to other women!

Each time I started a company (I’ve got four startups in my quiver), telling my story was the first thing that came to mind. So when Mary Anne and I developed Little Yellow House Publishing, I’m not sure why we were surprised to receive a tidal wave of interest in our story. And hey, we market ourselves as storytellers, so that shouldn’t have been so hard…yeah right. When we finally pinpointed where our writer’s block came from, an “aha” moment led to this blog post. Like most women in business, we weren’t used to tooting our own horn. Well, that changed immediately. We took a deep dive into our souls and brought that inner voice OUT. 

We closed our computers, fired up the whiteboard, and asked ourselves the following questions:

  • How did we get here?

  • How do we elevate other women in business?

  • What do we want our customers to know?

  • What is our voice?

  • Why choose us?

Then it dawned on us. We were using team words instead of I, Me, and My. So we took a good look at that and delineated when we would speak as a team, but also when we would be individuals because individually, we are both pretty badass which is what makes our team fierce, engaging, and wildly successful.

Therefore, my task for you is to PROUDLY ask yourself:

  • Why am I where I am today?

  • What personal successes have led ME to where I am?

  • How am I a role model for other women?

  • Why is MY story important to my customers? (Because it is: everything in life is about relationships, and your customers want to know YOU!)

  • Why should my customer choose ME?

As a business owner, you are selling yourself as much as you are selling a product. So be proud, confident, and kind to yourself, and tell your story. It gets easier to do the more times you tell it, so get going. There is no time like the present.

Until next week think about “Me, Myself and I,” and re-visit how wonderful you are!

Always in your corner, Tiff

September

A Personal Note from Tiff:

Every year of my life (except for the years I lived on the equator), September presented the early signs of Fall, my favorite season. That change in the air smells of crispness, leaves beginning to turn, and the lead-up to my birthday.

After September 19, 1978, that all changed. In the wee hours, just past midnight, my mother died, and from that point forward, the month became a dreaded painful reminder for me.

Within a week of my mother's death, I transferred to a school where all the kids had been friends since they were in the womb, and newcomers weren't rapidly embraced, particularly the girls. I was at a disadvantage from the beginning. First, my wardrobe was wrong; having grown up mostly wearing uniforms, I stuck out like a sore thumb amidst khaki skirts, polo shirts, and penny loafers. Then there was the fact that I was painfully quiet due to my overwhelming grief. I was petrified I would burst into tears at any moment, which would be blood in the water for those merciless mean girls.

There were, however, some exceptions. Thankfully, the powers in the school administration, along with my Dad, decided it would be less disruptive if I could be enrolled in the same classes I'd had in my old school before transferring. One of those classes was Drama, and although it was an upper-class course in the new school, an exception was made.

Being in a course with upperclassmen gave me a one-hour reprieve every day, and the teacher of that class, Linda Raya, tucked me under her wing. I found out many years later that the second day I was in her class when she sent me to the office to "grab something" for her, she had a little chat with the students about the fact that I'd just lost my mother, and the responsibilities of being caring and compassionate humans on this planet, and I presented an opportunity for them to practice. She asked them to be gentle with me and to show kindness and grace. One of the people in that class, John Ellisor, became one of my best friends.

I gained another kind-hearted friend from my own grade, believe it or not, out of my homeroom class, Henry Lewis. This friendship was probably born out of one damaged heart recognizing another. Still, it became one of similar perspective, humor, an unquenchable thirst for knowledge, and the love of cats.

John left this earth after a long battle with cancer on September 18, 2017. Henry's memorial service on September 17, 2018, after his sudden death, while on vacation in Jackson Hole, marked the loss of a second dear friend in less than a year. There have been numerous additions to the September angst for me over the years. Still, I'm writing all this today because these two wonderfully funny, highly intelligent, immensely kind humans who have also left their mark on my Septembers need to be honored.

Years ago, when I visited my friend Linda Kay in Sacramento in September, she suggested that I figure out how to turn my attitude toward September around, particularly about the anniversary of my mother's death. I humored her with absolutely zero intention of turning the day into a celebration of her life, as was suggested. However, with the passing of John last year, combined with Henry a few months ago, my attitude has finally begun to change and model Linda's suggestion. Thank you, dear friend, for planting that seed even though it lay dormant for so long.

In November, I went on a walkabout to California to visit with my friend Jennifer and celebrate his life through music. We sat on the beach, watched the sun drip into the ocean, and played Kool and the Gang and other music our dear friend John loved. It was through John and, in particular, a fun little game I used to play on Facebook, Music Monday, that Jennifer and I became friends. As usual, with his big giant kind heart, John played friend matchmaker, and a friendship so deep, fulfilling, and close was born. She is my "Sisterdoodle" because a kind Junior in high school saw me with his heart and flew air cover for me.

When I got the news about Henry, I dropped to my knees and began sobbing. To say his sudden death hit me hard is an understatement. Something that my husband and a few friends probably thought I was taking too hard based on their perspective that I didn't talk about Henry very often. One good friend said, "I've known you for 26 years, and I've never even heard his name." This made me reflect on the vast array of my friendships worldwide and how I hold them as little treasures in my heart and don't really talk about them to others. Make no mistake, though, just because I may not freely converse incessantly about someone does not make them less dear to me.

I often equate the people in my life in terms of items that reside in the rooms of my soul. I remember recently, the longest friendship of my lifetime, Alicia, squealed with delight when I told her she was the Crystal Chandelier in the Living Room of My Soul. I told her she was bright and beautiful, that she lit up my life, and that when my soul went dark, I knew I could reach out to her, and she would switch on to brighten up that darkness.

I've made it through the last three Septembers unscathed, and in fact, this past one there wasn't sorrow infused in the fall breeze at all. All my friends and loved ones are safe and healthy. What a blessing.

Y'all - Southerners, Politically Correct Before Their Time!

While binge-watching the HGTV channel recently, catching up on one of my favorite shows, Fixer Upper, I noticed a change in Joanna and Chip’s usage of words. I was down with a summer cold, and when I don’t feel well my go-to strategy is to watch mindless entertainment on TV, to which I’m sure most of you reading this can relate.

Being raised a reader, and subsequently translating that love of words into writing, I’m always paying attention to vocabulary, and getting lost in the etymology and evolution of words in the English language. Add that obsession to my roots in Texas, and you will see the rationale for my blog post.

This brings me back to my binge-watching of Chip and Joanna Gaines on Fixer Upper. I noticed that between season one and season two, both hosts switched from using “y’all” to saying, “you guys.” I thought to myself, “Wait a minute, this is weird.”

Once my brain started spinning, there was no stopping it, and ultimately, I decided that in this day and age of “politically correct,” and the nanosecond changing of terminology, Southerners actually were ahead of their time– waaaaaayyyyyy ahead – with the creation of the contraction “Y’all.” Think about it, it’s PERFECT! It’s gender neutral, unlike “you guys,” which even I find offensive to be referred to as, because I’m not a guy, I’m a girl.

So, there you go! Y’all feel free to get your Southern on and be politically correct when referring to a group of people. It’s even more useful when the group is mixed gender!

Y’all have a great day!

XOXO - Tiff

P.S. The plural of y’all is “all y’all.” :-]]]]